5 Marks Notes From TRAGEDY,

TRAGEDY 

 2nd Year B.A English Honours Notes On TRAGEDY 


1.What are the major aspects of tragedy?

➣ The major aspects of a tragedy are—

(i) Tragedy is a genre of drama that focuses

on downfall and suffering of its protagonist.

(ii) The downfall must be caused due to a

tragic flaw or circumstances beyond control.

(iii) The tragic hero is typically of high class or

noble birth.

(iv) The downfall of the tragic hero evokes

feelings of pity and fear in the audience.

(v) Tragic plot usually follows a five-part

structure— exposition, rising, action, climax, falling action and denouement.

(vi) Tragedies often presents a conflict

between two truths, individual and society etc.

(vii) The tragic hero of modern play may be of

working class.


2.What does Aristotle say about tragedy hero?

➣ Aristotle, an ancient Greek philosopher has

presented clear concept of tragedy in his “Poetics”. Aristotle says that the tragic hero will evoke both our pity and terror. He is neither thoroughly good nor thoroughly bad, but a mixture of both. He is of higher than or finery moral worth. His fortune will be changed from happiness to mystery because of his mistaken choice of action which is led by his hamartia or error of judgement.The tragic hero like Oedipus in Sophocles’ moves us to pity because he is not an evil man, and his misfortune is greater than he  deserves. He moves is also to fear because we think  if such error may occur in our lives. So, a sudden  reversal of a tragic hero’s fortune produces our pity  and fear which goes through the process of  purgation (Catharsis). Then, our emotions are  purified and we feel emotional relief.


3. Comment on development or evolution of tragedy.

➣ Tragedy’s origins are obscure, but it apparently started with the singing of a choral lyric in honour of Dionysus, the god of wine and fertility. It originated in Athens during 5th Century BCE in the hands of the  Gruk dramatists like Aeschylus Sophocles, and  Euripides. Then, Aristotle talked of many paradigms about tragedy in his poetics. According to Aristotle,  tragedy is “the imitation of an action that is serious  and also— complete itself” All these plays following  paradigm of tragedy offered by Aristotle are called classical tragedies.

         In the medieval period, tragedies lock of the paradigm of classical tragedies. Such tragedies are  simply the story of a person of high status who of a  person of high status who is brought from prosperity to wretchedness by the unexpected turn of wheel of fortune.

          Next, Roman influence in seen on tragedies  Especially. Senecan tragedy reigned in this period.  Then, the revenge tragedy was established on the  Elizabethan stage with Thomas Kyd's The Spanish  Tragedy in 1587. Many major tragedies in the  flowering time between 1585 and 1625; by Marlow, Shakespeare, George Chapman, Webster, sir Francis  and Philip Massinger, deviate radically from the  Aristotelian norm. Tragicomedy is also the fruit of  this era. In 17th century, heroic tragedy was  produced. In the 18th century, bourgeois or domestic tragedy became popular. Finally, modern tragedy representing middle and working class appeared and suck tragedies deviate from Aristotelian norms in many ways. Arthen Miller, Henrik Ibsen and Tennessee Williams are the examples of modern playwrights.

Tragedy notes


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